Introït Suite souveraine : L’heure de pointe / Recueillement / Déambulation d’été
Gloria’s first musical act opens at rush hour [l’heure de pointe] where it threads it’s way between the cars on down-town’s burning concrete; it then proceeds home to collect it’s thoughts (reflection [Recueillement]), after which it goes on with a feast where all are welcome: children play and run around, wine drips afloat, the tablecloth gets caught in the wind and we find oursellves walking in the midst of those festivities, it is the summer wandering [Déambulation d’été].
Kyrie Une brûlure indicible
Each one of us carries with him/her secrets: some arouse rejoicing, others pain. The Kyrie musically represents a secret ache that can be a burden for the one who carries it. Emotions associated with it can be heart-rending until we have made peace with ourselves.
Gloria
The Gloria is like the calm after the storm, once the clouds have dispersed and left a blue sky, the water of the downpour has evaporated, the leaves of the trees reflect a striking green, the nature palpitates, the life in which we live explodes into the heat of the plexus. This is the Gloria.
Psalm Le chant du peuple
It happens during certain holidays or popular uprising that citizens gather and sing songs in order to exult joy, to show it’s discontent or everything in between. The Psalm is that people’s chant.
Alléluia L’envol
Alléluia ! It’s what some people say when they feel an intense happiness. In the introduction of the piece I tried to musically represent the invigorating sensation we feel while contemplating lights and shadows on the leaves, flowers and fruits of a luxuriant tree. Afterwards, for the main melody, I tried to translate that uplifting feeling, that ferocious and contagious joy, not in contemplation but in an active setting.
Offertoire Seul dans le doute
One day or the other we find ourselves in bereavement, it might be for a loved one, from a relationship, an activity, no one can escape it. It sometimes happen that we lose the points of reference that were guiding us towards tomorrow. I tried to convey that introspection state in the Offertoire.
Sanctus Chemin faisant
In Sanctus, I was inspired by the orange colors of the sunrise, of which the first rays settle on the thorns of the conifers and their sweet fragrance, on blades of grass where droplets of dew pearl, meanwhile the bakers are busy working close to their stove. Our senses are made to delight themselves from those nature offerings.
Agnus dei Contemplant les crevasses du temps
Here, the subtitle on the partition is “hope that walks on egg shells”…
Action de grâce [Thanksgiving] Les chatouilles et le jeu
It is that moment of tenderness and game that only happens after love; like children getting accustomed to each other while playing.
Outroït Mille plaisirs
Departure: after having feasted and shared stories, jokes and anecdotes we greet the gathering and leave light heartedly.